He suggests a man driven by passion and ego, who was under appreciated during his lifetime (as great artists often are), and who grew bitter in the wake of the slings and arrows fate so surreptitiously hurled at him. Reminiscent of the approach taken by Orson Welles with `Citizen Kane,' Rose presents a riveting study of the enigmatic genius that was Beethoven. And as Schindler pursues his quest, a portrait of Beethoven, in his most human aspect, emerges. But in his final will, it is she to whom he bequeaths his estate, and it therefore falls to Beethoven's secretary, Anton Schindler (Jeroen Krabbe), to unravel the mystery and discover her identity. The letter bears no name or address, but was written to a woman to whom he refers as his `immortal beloved,' with nary a clue as to her identity. But what of the man himself? His passions, his loves? The humanness behind the genius? `Immortal Beloved,' written and directed by Bernard Rose, examines the man behind the music in a dramatization focusing on the mystery behind a letter- written by Beethoven- found among his effects after his death in 1827. Ludwig van Beethoven was one of the greatest composers- some would say THE greatest- in the history of the world. But the film was ignored.Ībove all, however, Gary Oldman's performance ranked among the best in the world - but it, too, was ignored. The sets, costuming, sound, and editing were all BEAUTIFUL. She had one special attribute - she could ACT.
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Why did they ignore HER? It would've been nice to have her stay here, rather than return to her Dutch homeland - to become a major motion picture star, as well. Johanna ter Steege - who portrayed Johanna, Beethoven's sister- in-law - was exquisite. Jeroen Krabbe's portrayal of Anton Schindler, Beethoven's friend and champion - was marvelous. Genius as the Tragic Beethoven, was magnificent. Oldman gave a performance like no other actor in the world can quite match. Yet, what went overlooked because of these critics' lack of open-mindedness - was an exquisite blend of glorious music, and SUPREME acting. This was regarded as an AWFUL thing to do, by many Beethoven authorities - and by people who simply DOUBTED. And, this is simply a beautiful interpretation of someone's dream of who she COULD'VE been. No one knows, for sure, who the woman really was. The movie is BASED on a letter that Beethoven actually DID write, to his mystery lover. Well, I believe that early on in my life, I learned about some- thing called "Poetic License".and, in fact, this film IS, basically, a poem. I have spent hours reading reviews on this film, stating how awful it was, because it was not true to the real Beethoven's life. Once again, a film of such glory fell on deaf ears - no pun intended - in this country.